Allen & Heath MixWizard WZ3 16:2
Analogue Mixer.
Näitan 101–200 tulemust 231-st Sorted by latest
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Yamaha 01V96i
Building on the proven configuration of its predecessors, the new 01V96i now offers USB 2.0 connectivity along with new multi-track recording features and improved sonic quality.
- 16 in/16 out live audio streaming at 96kHz via USB2.0 for direct multitrack recording and playback.
- 24bit/96kHz performance with improved studio-quality head amps.
- Full suite of Yamaha VCM effects and high-resolution REV-X reverbs.
- 96kHz internal effects and top-quality compression, gating and delay.
- Powerful mixing capacity with up to 40 inputs and 20 buses at 96kHz.
- I/O expansion slot accepts mini-YGDAI cards for up to 16 additional channels of I/O in a variety of analog or digital formats.
- Cascade Link function allows two 01V96i consoles to be connected to provide up to 80 input channels.
- Precision 100mm motor faders and scene memory with recall safe and global paste functions.
- Bundled with the latest Cubase AI.
- Compatible with both Windows or Macintosh versions of 01V96i Editor for offline data management and online control.
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Yamaha 01V96 V2
Characteristics are known, 32 channels including 12 XLR base.
8 to 4 effects per channel compressor gate 4 parametric channel. -
Allen & Heath Xone 464 Audio Mixer
The Allen & Heath Xone:464 is dedicated club mixer, designed for performing DJs, analogue filters and 4-band asymmetric EQ make it an incredibly creative.
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QSC MX3000 power amplifier
The MX 3000a is a high power, low profile professional power amplifier with advanced features and a flexible input. It delivers tremendous power in only three rack spaces, providing high level performance under the most demanding conditions.
A stepped linear output circuit combines high power with high efficiency to provide greater average and dynamic audio performance, while
reducing normal system cooling and AC requirements by greater than 50%. An automatic variable speed fan matches cooling capacity with heat requirements.
The rear panel uses Level 1 of QSC’s exclusive Open Input Architecture™ which allows the use of optional input connectors, input transformers, cinema crossovers, power limiters, precision attenuators, and other signal processing cards as they become available. -
KV2 VHD2000 – System Control and Amplification
The VHD2000 is the control and amplification unit for the VHD2.0. It is a three-way, rack-mounted unit containing high frequency, mid frequency and mid-bass amplifiers. It also houses all processing and control electronics for the subwoofer system. Our own hybrid signal processing utilises the very best technology available from both the analogue and digital worlds, to offer complete audio system control, equalisation, overdrive protection, thermal protection and user adjustable set up parameters. Time alignment and phase correction is done via KV2’s new 20MHz digital delay line, boasting the highest sampling rate of any digital speaker processor available. Once the set-up process is completed, the VHD2000 manages all system functions and assures optimal performance.
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Tascam HS-20 2 Channel Network Recorder/Player
The HS-20 is a professional two-channel recorder/player that is capable of uploading and downloading files to/from servers via an FTP client function.
Event lists for recording, playback, and downloading aligned with time-based management are perfect for scheduled playback scenarios such as BGM and in-store announcements.
Through the combination of event lists with the FTP client function, users can easily create a system in which files uploaded onto the server at headquarters can be automatically distributed and played at different store branches.
After completing a recording, the HS-20 can automatically upload the recorded data to a designated server.
Various applications can be performed by combining this automatic upload function with recording/downloading events; for instance, users can automatically upload files from a scheduled recording onto the server, with the files being automatically retrieved from the server for playback or archiving.
The SNTP client feature automatically adjusts its internal clock via the internet, meaning that recording, playback, downloading, and other events can be executed at accurate, synchronized times.
The recording/playback format supports BWF/WAV (playback only) and 192kHz/24bit high-resolution recording/playback. SD/SDHC cards and CF cards are used for memory media.
The recording playback unit possesses a high level of durability that does not require maintenance due to its lack of moving mechanisms.
The HS-20 is a professional recorder/player with an integrated professional stereo recorder/player that is high in both sound quality and durability.
Equipped with network functions, the HS-20 can perform recording, playback, downloading and various other events automatically.
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Palmer PB 20 S Press Patch Box 10-Channel Stereo / 20-Channel Mono
A stereo version of the PPB20 is available in addition to the standard mono version. Instead of a microphone and line input, the stereo version is fitted with two line inputs.
The first line input is distributed to the upper row of outputs (meaning the uneven channels), while the second line input is distributed to the even channels (meaning the lower row of outputs). -
Tascam MH-8 Eightfold Headphones Amplifier
he MH-8 is the ideal headphones amplifier for studio, stage and installation. Each of the eight stereo outputs delivers 250 mW per side with three switchable sources available. Two stereo inputs can be shared to any of the outputs, and individual stereo direct inputs are available for each of the eight channels. A headphones channel can use any one of these inputs, or mix several together. And a set of foldback outputs allows the user to chain other MH-8s into a system.
The MH-8 is housed in a rugged, rack-mountable metal chassis with built-in power supply (no AC adapter), ground terminal and ground-lift switch for many years of safe and reliable operation. -
Motu Audio Interface 828es
60 simultaneous audio channels, 28 inputs and 32 outputs, all independent.
Connect all your studio gear, including microphones, guitars, synths, keyboards, drum machines, outboard processors, MIDI gear, optical expanders – even a foot pedal. All I/O is available simultaneously..
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RF Explorer RackPRO
RF Explorer RackPRO is a spectrum analysis and monitoring system that lets you see wireless microphone and IEM frequencies inside your venue.
How is the RackPRO different from other analyzers? Well, it’s housed in an industry standard 19″ form factor, for easy integration with existing live and installed cases, racks, and equipment closets.
It can be operated either from the onboard LCD screen and touchpad, or from a computer or laptop through a USB cable.
And the included Clear Waves software for Windows lets you visualize spectrum in detail, label and monitor transmitter frequencies, and instantly calculate sets of intermodulation free frequencies that can be exported to multiple formats, including those compatible with Shure Wireless Workbench and IAS.
Best of all that RF Venue is releasing a Mac OSX spectrum management application this June, so users of Mac computers will finally have access to the RF tools they need. -
Altar DA-410, distrobution unit DA-240
ALTAIR DA-410 is a compact, high performance distribution amplifier / zone mixer / mic splitter capable of processing 2 stereo input signals to obtain 5 stereo output signals. Used as a zone mixer, the unit can control 5 zones in stereo mode or 10 in mono mode. As an audio distributor, it will deliver up to 10 mono output signals, or 5 in stereo mode. This device will make a perfect solution for audio distribution in press rooms, recording units, audio production, broadcast, etc. Individually selected MIC/LINE input preamplifiers allow signal splitting to feed additional mixers without quality or headroom degradation. Up to 4×8 or lxlO active splitting is possible.The unit has a monitoring system, with buit-in microspeakers, and headphone output.All the inputs and outputs are electronically balanced(XLR).Additional options with input or output transformers,and 2 parametric equaliser cards.
Split box-240 – Complement of the Altair DA-410.
40 balanced OUTPUT, Distribution Unit, 3 POSITION attenuator per output, INDIVIDUAL short circuit protection in any output, Output TRANSFORMER optional, COMBO ™ & XLR link on inputs, Survival audio Patch: XLR male, XLR female, Jack ¼, RCA and minijack to ease interconnections. -
Tascam MD-CD1
New from TASCAM, the MD-CD1 combines CD playback and MiniDisc recording in a single rackmount unit designed to save rack space and installation budgets. Like all of TASCAM’s products designed for fixed installation, the MD-CD1 is a reliable player designed for years of trouble-free use. The unit is stocked with features, such as 12% pitch control, MP3 CD playback, RS-232 control and an optional balanced I/O board that allow it to be spec’d into a wide variety of applications.
The TASCAM MD-CD1 has a host of professional features like RS-232 control, digital I/O and an optional I/O board for balanced interfacing. CDs can be played back at up to 12% higher or lower, and can even be played back faster without changing the pitch for a “chipmunk” effect. Discs can be duplicated from CD to MiniDisc at up to 4x speed, and a wireless IR remote is included. -
RØDECaster Pro
Podcast Production Studio.
The RØDECaster Pro™ is the world’s most powerful all-in-one solution for podcasting. Designed to offer superb audio quality and expansive features while being incredibly easy to use, it’s the ultimate tool for beginners and professionals alike. Featuring four microphone inputs with studio-grade preamps for recording crystal-clear audio, smartphone, USB, and Bluetooth channels for seamlessly integrating remote guests, eight sound pads for triggering music and sound effects, powerful audio processing at the touch of a button and so much more, the RØDECaster Pro is all you will ever need to create incredible podcasts.
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Akai APC40 MKII
The APC40 Legacy
In 2009, Akai Professional collaborated with the creators of Ableton Live, a powerful music performance and production software environment, and introduced the original Ableton Performance Controller—APC40. The instrument raised the standards of controller design, revolutionized hardware and software integration, and proved to be an essential performance tool for Ableton Live users everywhere. Building upon this original partnership, Akai Professional now introduces an all-new, reimagined Ableton Live controller—APC40 MKII.
You Asked, We Listened
The new APC40 mkII incorporates five years of user feedback into its design. Almost every aspect of the original APC40 has been deliberated, reworked, and improved to provide extended controller functionality, countless musical capabilities, and a smarter workflow. In addition to its sleek look, veteran APC40 users will immediately notice the enhancements that include an RGB clip-launching grid, reinforced fader design, revised knob lay out, and much more.
Get On The Grid
APC40 MKII features a 5×8 RGB clip-launching grid that’s built for dexterous exploration: launch clips and create or perform your song from the ground up using 40 responsive triggers. RGB lighting provides visual feedback and displays three clip statuses—loaded, playing, and recording—so you can intelligently perform without looking at your computer. You can also color code your clips with the RGB lighting for advanced visual organization, and use the Shift button and directional arrows to manipulate the scope of the 5×8 grid.
Total Control
APC40 MKII comes equipped with an array of assignable faders and knobs: nine reinforced faders and eight channel control knobs are arranged in-line with each channel for an intuitive layout and smarter workflow. Eight Device Control knobs make it easy to tweak device parameters and light up to provide visual feedback of each parameter. In addition, the Sends button enable users to cycle through all eight send buses right from their APC40 MKII. The A/B crossfader has also been reworked and can be assigned and re-assigned without ever having to touch the mouse.Seamless Integration
APC40 MKII comes pre-mapped to Live (version 9.1.3 or later) for an instant performance and production setup. When APC40 MKII is plugged into your computer, its hardware controls correspond 1 to 1 with Ableton Live’s interface—no additional configuring is required. In addition, all of APC40 MKII’s controls can be re-assigned on the fly for customized setups that change with your performance or production style. APC40 MKII is also powered over USB and supports plug-and-play connectivity, allowing you to take this controller from the studio to the stage or wherever you go. Whether you are an electronic music artist and Live is your canvas, a DJ using Live for performance and real-time mixing, or a more traditional musician using Live on stage or in the studio, you will find the APC40 MKII to be the intuitive, powerful instrument that directly links your inspiration with Ableton Live.
Powerful Production Suite
APC40 MKII comes packed with a music production suite that includes a version of Ableton Live, two high-definition virtual synthesizers, and 5GB of professional samples and loops for immediate out-of-the-box music creation. Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Also included is the Puremagnetik Effect Racks, a collection of over 200 sophisticated audio effects engineered for instant sound sculpting. This collection comes packed with an endless variety of channel strips, DJ and live sound effects, glitch racks, amp racks, modulators, filters, beat processors, and noise boxes. Hybrid 3, by AIR Music Tech, is a virtual synthesizer for electronic musicians, DJs, sound designers, and music producers who love to get their hands dirty. Create anything from fat, retro synth sounds to edgy, modern leads and everything in between. SONiVOX Twist is a spectral morphing synthesis virtual instrument. Comprised of a dynamic interface, an advanced pattern generator, and onboard effects, Twist lets you create serious sounds using simple controls. Finally, five Toolroom artist launch packs and five Prime Loops sample packs feature an eclectic mix of sounds from today’s electronic music scene. Jumpstart your inspiration with these premium instrumental loops, drum kits, one-shots, and more. -
Roland R44 4-channel Recorder
The R-44 is a compact, four channel, solid-state field recorder that uses SD or large capacity SDHC cards as the storage media enabling quiet and reliable recording for a variety of professional audio needs. Capture up to 4 channels of uncompressed audio with selectable bit depths (16-bit or 24-bit) and sampling frequencies (44.1kHz/48kHz/88.2kHz/96kHz/192kHz). Onboard effects include limiter, low cut filter, 3-band EQ, 6-band GEQ, Enhancer, and DeEsser. The R-44 is a part of our series of audio field recorders.
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IHOS – Aktiivkõlar – 10A DSP
Professional plywood active speaker 10 inch with LCD screen and multiple DSP, German Engineering class D amplifier, 350W (LF) + 350W (HF), 700w RMS, 1.35 HF drive, 10“ woofer 2“VC, flypoints, top handle and stage monitor feature.
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RCF – Aktiivkõlar – TT 052-A
Ultra compact high output speaker.
The TT052-A is an extremely compact, active loudspeaker specifically designed for indoor applications where the audio beam must be directed towards specific zones. It is equipped with two 5” neodymium woofers and a 1” compression driver. Thanks to its constant directivity horn and high volume output, the TT052-A can be used to guarantee the perfect intelligibility in critical environments.
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RCF – Aktiivkõlar – TT 2-A
Active high output two-way speaker.
The TT2-A is the most flexible and powerful tool in its class. The incredible output and dynamics, the extreme linearity and fidelity makes the TT2-A a special product in its category. The TT2-A is the ideal compact two-way speaker for near field sound reinforcement, live sound and corporate events. The integration of the 1600 Watt, two channel, digital amplification and the advanced digital processing set a new standard for distortion, noise and thermal efficiency. The speaker is equipped with a complete set of integrated rigging mechanics for rental or installation. Dedicated accessories to create clusters are available. -
QSC – Aktiivne bassikõlar – KS212C
The KS212C subwoofer represents the world’s first-in-class single-box active cardioid subwoofer solution for highly portable entertainment and installation applications.
A breakthrough in innovation and design, the 3,600 Watt KS212C subwoofer uniquely provides all the benefits of cardioid deployment in a single, compact enclosure. “Keeping bass in its place” for mobile entertainers, AV production and rental professionals, as well as modestly-sized performance venues, the KS212C subwoofer is unparalleled in its ability to manage low frequencies on the stage, or any application where undesirable low frequency energy needs to be minimized. -
KV2 Audio EPAK2500
Control of Your ES System.
The EPAK2500 is a four-way, active control and amplification unit specifically designed for the ES Series modular loudspeaker system. It not only houses all signal processing and four individual amplifiers but also controls the allocation of power depending on the number of bass modules employed. The EPAK2500 is enclosed in a road-rugged case with side handles and a built in cable storage compartment. Easily transported on a trolley this unique amplification system has its electronics mounted on an independent suspension system that isolates it from the shocks and impacts typically encountered on the road. A large aluminum heat sink provides passive cooling along with two demand-sensitive fans for added reliability. -
KV2 Audio ES1.0
The Core of Your ES System.
The ES1.0 is a 3-way, very high output, active-driven, mid-high / mid-bass module designed as part of a complete ES system, driven by the EPAK2500/R control and amplification unit. The ES1.0 is compact, lightweight and can be combined with a variety of ES series subwoofers. As a single system it offers one of the highest quality portable sound reinforcement solutions on the market today. When coupled with another ES1.0 (running two horizontally per side) it becomes an even more powerful tool, providing peak SPL of 139dB and a throw of up to 40 metres for applications of up to 3000 people. -
KV2 Audio ES2.5
High Output Active-Driven Subwoofer.
The ES2.5 (4 ohms) is a double 15″, high output subwoofer designed for the ES Series speaker system. Using new concepts in twin asymmetrical acoustic chambers they deliver very high speaker loading and intense output from a relatively small cabinet footprint. Reproducing low frequencies with very high transient content, they are ideal for use in live applications or as part of a five way ES system utilising VHD1.21 and 2.21 subwoofers. Together with the ES1.0 and EPAK2500/R, the ES2.5/2.6 delivers the highest dynamic range of any other comparable system providing new levels of clarity, depth and resolution. -
Shure SM63L
Dynamic Microphone.
Omnidirectional dynamic microphone designed for professional applications when performance and appearance are critical. The product includes low-frequency roll off and built-in shock mount, virtual immunity to electromagnetic fields, and pop filter.- High output, low impedance
- 80 to 20,000 Hz frequency response tailored for optimum speech intelligibility
- Low-frequency roll off and built-in shock mount for reduced pickup of handling noise and stand vibration
- Humbucking coil for virtual immunity to strong electromagnetic hum fields
- Exceptionally rugged VERAFLEX grille that resists damage from drops up to 2 m
- Patented Shure shock mount system minimizes handling noise
- Immune to rust, corrosion, and moisture
- Built-in pop filter that suppresses breath and wind noise
- Accessory windscreen supplied with SM63L and SM63LB for outdoor use under adverse wind conditions
- Excellent balance and feel for hand-held use
- Supplied snap-in stand adapter
- Sleek, handsome appearance looks good on stage, screen, and television
Elegant yet rugged, the high-output SM63 series of dynamic omnidirectional microphones are designed for professional applications where performance and appearance are critical. The three models differ only in length and color. The SM63 is designed for handheld use on stage and in broadcast, recording, and TV studios. The SM63L and SM63LB are ideal for remote interviews and other situations where longer microphones are desirable.
The smooth, wide frequency response of the SM63 is tailored for optimum speech intelligibility, and includes a controlled low-frequency rolloff for reduced pick-up of stand and wind noise. A built-in humbucking coil makes the microphones virtually immune to strong hum fields, such as those produced by studio lighting. -
Shure PA421B
Antenna Combiner for PSM® Wireless Systems.
- Combines up to four PSM transmitters to a single antenna set for improved RF networking & reduced rack clutter.
- Wideband operation (470-865 MHz)
- 4 Input LED signals (green when active; off when inactive)
- Quieter, temperature-sensitive fan for significant reductions in ambient unit noise and heat
- Daisy-chain up to 2 combiners with the expansion port.
- LED indicators for signal presence and signal overload
- Passive (non-powered) antenna combining*
* Contact Shure Service Department for more detail and availability. Requires modification of unit by qualified service technician.
The PA821B active broadband antenna combiner streamlines the simultaneous operation of many PSM systems at a venue. The PA821B combines the RF outputs from up to four PSM transmitters into one RF output to feed a single transmit antenna. This provides significantly improved reception quality due to reduced intermodulation distortion and dropouts due to multipath interference. (Directly replaces PA421A.)
The PA421B is compatible with Shure PSM300, PSM 900 and PSM 1000.Four-to-One Wideband PSM Antenna Combiner for all P3T, P9T and P10T Transmitters (470-865 MHz).
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Shure SE215-CL-EFS
Professional Sound Isolating™ Earphones.
SE215 Sound Isolating™ Earphones provide clear sound and deep bass with a detachable cable enabling the option to go wireless. Sound Isolating design keeps earphones in and noise out, providing incredibly immersive audio no matter where you are. Includes a zippered carrying case and fit kit with selection of sleeves for custom fit.
- Awe-inspiring audio with clear sound and deep bass Engineering from decades of experience supporting music legends. Elevates your audio performance in a convenient and portable package.
- Sound Isolating™ technology blocks up to 37 dB of noise to eliminate distractions. Enjoy the most immersive listening experience with a design that keeps earphones in and noise out during exercise or travel.
- Ergonomic, low-profile design Built with the same low-profile design musicians use for monitoring on-stage. Your earphones stay in place providing unmatched, long-wearing comfort even during high-energy activities. Over-the-ear design keeps cables out of the way.
- Detachable 3.5 mm cable allows the SE215 Earphones to attach to different cable accessories with an MMCX connection, including the True Wireless Secure Fit Adapter for Bluetooth connection.
- Durable build quality engineered for professional wear and tear for a lifetime of use. See what we’re made of.
- Includes a two-year warranty, SE215 Detachable Sound Isolating Earphones, 3.5mm standard audio cable, fit kit with a variety of sleeves for the perfect fit, and a carrying case.
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Shure SM58
Vocal Microphone.
If you’ve ever heard someone sing or speak into a live microphone, there’s an excellent chance it was an SM58. Rock stars. Pop idols. Comedians. Presidents. Popes. Immortal words have passed through its iconic grille for generations. And with engineering and durability that set the world standard, it’s sure to keep turning up at legendary performances.- Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Legendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
- Replacement cartridge: R59
The legendary Shure SM58 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath “pop” noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise.
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoor. -
Shure SM48
Cardioid Dynamic Vocal Microphone.
Cardioid dynamic vocal microphone offers a frequency response for vocals with a brightened mid-range and bass roll-off to control proximity effect. The product includes the microphone, a stand adapter, and carrying bag.
- Cardioid pickup pattern rejects off-axis sound and provides superior gain before feedback
- Frequency response tailored for vocals, with brightened mid-range and bass rolloff to control proximity effect
- Shock-mounted cartridge for exceptional ruggedness and reduced handling noise
- Built-in “pop” filter that reduces explosive breath sounds and wind noise
- Supplied stand adapter and carrying/storage bag
- Lockable On/Off switch (Model SM48S only)
- Legendary Shure quality and ruggedness
- High-Quality Live Vocal Microphone
- Dynamic Cardioid
- Internal Shockmount
- Built-In Pop Filter
- Frequency Response: 55 Hz to 14 kHz
- Includes Storage Pouch and Mic Clip
The SM48 unidirectional dynamic microphone is a great performance microphone. It maintains a true cardioid pattern throughout its frequency range, ensuring high gain before feedback and rejection of off-axis sound.
The tailored frequency response is ideal for lead vocals, backup vocals, and spoken word applications. A presence rise brightens mid-range performance, and a low frequency roll off controls proximity effect.
The SM48 includes a shock-mounted cartridge, a steel mesh grille, and an integral “pop” filter. -
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Shure IntelliMix P300
Audio Conferencing Processor.
Don’t let echo, noise, or distortion take over the meeting. The IntelliMix® P300 enhances every aspect of conference audio. Combined with Microflex® Advance™ or Microflex® Wireless microphones, the clear sound reproduction and intelligent mixing keeps the agenda on track with clear communication. -
Shure WL184
Supercardioid TQG Lavalier Microphone.
The WL184 premium supercardioid TQG lavalier microphone brings a new level of sophistication to personal voice reproduction. Like all Microflex family microphones, this lavalier uses an interchangeable condenser cartridge, meaning there will always be a lavalier to suit your application. -
Shure BETA 98H/C
Miniature Instrument Microphone.
Miniature instrument microphone delivers high gain-before-feedback and rejection of unwanted noise. It features preamplifier circuitry to improve linearity across the full frequency range, and tailored response for natural sound reproduction. -
Shure BETA 98AMP/C
Instrument Microphone.
Instrumental microphone combines an integrated preamplifier with a miniature condenser capsule to provide a smooth response for percussion. It features a flexible gooseneck and the A75M microphone mount for secure placement in many configurations. -
Shure MX153T
Earset Headworn Microphone.
Earset headworn omnidirectional microphone delivers exceptional speech clarity and enhanced plosive protection with no proximity effect. It features CommShield technology to stop RF interference, 3 color options, 3 windscreens and a protective pouch.
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Shure PGA31
Headset Condenser Microphone.
Cardioid headset condenser microphone offers clear and reliable hands-free audio at an affordable price. Features include a permanently-charged electret condenser element, flexible gooseneck, tailored frequency response, TA4F (TQG) and a windscreen. -
Shure SM35
Performance headset condenser microphone.
The SM35 Performance Headset Condenser Microphone gives multi-instrumentalists the freedom to express themselves without sacrificing sound quality. A tight, unidirectional cardioid polar pattern provides excellent rejection of off-axis sound sources to prevent feedback and signal bleed onstage, whether in use in small clubs, large installations, or arena tours. -
Shure BETA 91A
Kick Drum Microphone.
Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.
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Shure BETA 52A
Kick Drum Microphone.
Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.
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Shure 55SH SERIES II
Iconic Unidyne Vocal Microphone.
If you want to capture a classic look, you need the gear to match the genre. Nothing completes the style quite like the 55SH Series II, a microphone that has been gripped by legends for decades. Others may imitate, but none can duplicate the form and function standards Shure has held from our first Unidyne mic to our latest.- A great dynamic mic tailor made for live performance
- Looks that harken back to the best of the past
- Thoroughly modern sounding performance
- Great noise rejection via a cardioid polar pattern
- Frequency response: 50Hz to 15kHz
- Stand mount built into the mic
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Omni antenn – UA860SWB
Omnidirectional Antenna.
The Shure UA860SWB is a passive wide band UHF omnidirectional antenna. For use with certain Shure wireless products. -
Shure P9RA+ – K1E
P9RA+ Bodypack Receiver.
K1E – 596-632 MHzShure’s P9RA+ is a compact, stereo bodypack receiver for use with the PSM®900 Wireless Personal Monitor System. With a hybrid analog/digital architecture, the P9RA+ Bodypack Receiver offers unparalleled audio quality with more headroom, better stereo separation, and higher fidelity, along with reliable RF performance for increased RF signal strength to meet the needs of professional audio applications of all sizes, including IEM and IFB applications.
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Shure PSM900 – K1E
Professional In-Ear Personal Monitoring System.
With patented Audio Reference Companding, exceptional transmitter linearity, and patented CueMode functionality, the Shure PSM® 900 Wireless Personal Monitor System meets the needs of professional audio applications of all kinds, providing excellent audio quality and reliable RF performance. Twenty compatible frequencies per band and a 36 MHz to 40 MHz tuning bandwidth give the PSM 900 system the horsepower to handle demanding environments, including professional IEM and IFB applications.
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Shure UA845UWB/LC
Antenna Distribution System.
Antenna distribution system expands a wireless microphone system by splitting 1 pair of antennas and amplifies RF signals.
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Suundantenn – UA874WB – 470MHz-900MHz
Active Directional Antenna.
Active directional UHF and VHF antenna delivers improved wireless signal reception with integrated amplification. Features include greater rejection of RF signals outside the coverage area and an integrated amplifier with 4 gain settings. -
Shure QLXD4 – K51
QLXD4 Digital Wireless Receiver.
Digital wireless receiver combines professional features with streamlined set-up and operation. Features include Automatic Channel scan, Networked Channel Scan, digital predictive switching, and AES 256 encryption for security
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Mini 4-P XLR Adapter
The FLA10 provides power to miniature condenser microphones through phantom power. It works with CM series condenser microphones.
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Shure ULXD6 – K51
Wireless Boundary Microphone Transmitter.
The ULXD6 Wireless Boundary Microphone Transmitter combined with ULX-D or QLX-D receivers deliver uncompromising digital audio clarity and solid RF performance in a form factor that fits perfectly in business settings. -
Shure QLXD2/B58A – K51
Handheld Transmitter with Beta 58A Capsule featuring transparent 24-bit digital audio quality and incredibly efficient RF spectrum usage, the QLXD2 handheld transmitter is ideal for wireless vocals in presentation spaces, music venues, and houses of worship. Easy to use, the QLXD2 quickly syncs with a wireless receiver over IR at the push of a button and maintains clear, uninterrupted signal over its entire 100 m (330 ft.) range. All metal construction ensures durability, and a wide selection of compatible microphone choices offer legendary Shure sound signatures.
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Shure QLXD1 – K51
Bodypack Transmitter.
Featuring transparent 24 bit digital audio quality and incredibly efficient RF spectrum usage, the QLXD1 bodypack transmitter is ideal for wireless vocals and instruments in presentation spaces, music venues, and houses of worship. Easy to use, the QLXD1 quickly syncs with a wireless receiver over IR at the push of a button and maintains clear, uninterrupted signal over its entire 100 m (330 ft.) range. All metal construction ensures durability, and a wide selection of compatible microphone choices offer legendary Shure sound signatures.
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Shure Beta 87A
Vocal Microphone.
Vocal microphone provides warm, accurate sound. It features high SPL capability and controlled low-frequency roll-off to compensate for proximity effect. Provides low susceptibility to RFI and a shock-mount system to absorb shocks and handling noise.
The Shure Beta 87A is a premium quality supercardioid hand-held condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. It is ideal for a professional lead or backing vocalist either on stage, for live recording or in the studio.- Smooth frequency response with gradual presence rise
- Highly consistent supercardioid polar pattern provides superior gain-before-feedback
- Electronic low-frequency roll-off compensates for proximity effect
- Wide dynamic range (117 dB) and low distortion characteristics
- Very low susceptibility to RFI and electromagnetic hum
- Advanced cartridge shock-mount system absorbs mechanical shocks and reduces handling noise
- Built-in pop filter reduces undesirable wind and breath sounds
- Legendary Shure quality and reliability
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Shure Beta 58A
Vocal Microphone.
Vocal microphone provides a brightened midrange and bass roll-off with frequency response to control proximity effect, a steel mesh grille for durability, a shock mount for low unwanted noise, and a neodymium magnet for high signal-to-noise ratio.
The Beta 58A is a premium vocal mic ideally suited for professional lead and backup vocals, either on stage or in the studio.- requency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
- Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
- Neodymium magnet for high signal–to–noise output
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Minimally effected by varying load impedance
- Legendary Shure quality and reliability
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Shure Beta 57A
Dynamic Instrument Microphone.
Dynamic instrument microphone provides high gain before feedback in demanding environments. It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio.
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal–to–noise ratio output
- Minimally affected by varying load impedance
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Legendary Shure quality and reliabilityt’s a premium instrument mic ideally suited for the professional musician looking to mic up many types of amplified and acoustic instruments such as guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists. The Beta 57A has the quality and ruggedness to be used both on stage and in the studio.
It has a tailored frequency response provides warmth and presence and maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. The hardened steel mesh grille facilitates use of proximity effect as well as resisisting wear and abuse.
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Shure SM57
Dynamic Instrument Microphone.
Cardioid dynamic instrument microphone offers clean reproduction of amplified and acoustic instruments. Features include contoured frequency response for rich vocal pickup, background noise reduction, and a pneumatic shock mount system.
It’s the most popular choice for a professional musician who wants to mic up their amplified or acoustic instrument such as a guitar amp or bass amp, saxophone, trumpet or drums. It is used on stages and in studios around the world.
The contoured frequency response with its presence rise, helps the instrument cut better through the main mix. The extremely effective cardioid pickup pattern isolates the main sound source and will simply record what you point at it while rejecting sound from the rear. -
DAP Audio – PL-08
Dynamic Vocal Microphone.
The DAP PL-08 is a cardioid dynamic microphone suitable for live vocal use. It can handle high pressure levels without causing distortion. Besides, its rugged construction with steel mesh grille is road proof and made to last and outperform.
Cardioid dynamic microphone
Suitable for vocals
Steel grille
Can handle high sound pressure levels without distortion
Phantom power not required -
Peamikrofon – EH-4
Condenser Headset Microphone with Detachable Cable.
EH-4 is an omni-directional (no proximity effect) condenser microphone designed for voice pick-up. It has a skin colour and is therefore almost invisible for the audience. The wide dynamic range and frequency response provide a high quality sound. The cable is detachable and also separate available.
Comfortable fit and lightweight
Smooth frequency response
High quality steel adjustable head band assures durability
Mini gooseneck for best mic position -
Lipsumikrofon – Countryman B6
The Countryman B6 Lavalier Microphone is known as the smallest microphone in the world. It is designed to be extremely hidden but incredibly powerful for its size. For this reason, this is a great mic for both theater and film applications. It can be hidden anywhere!
Only one tenth of an inch in diameter, the B6 is the smallest lavalier in the world and outperforms microphones many times its size. The changeable protective caps provide moisture resistance and color options and let you shape the frequency response for different situations or to match other microphones. With exceptionally low handling noise and rugged construction, the B6 is the ideal choice for theater, broadcast, churches, and general lavalier applications.Nearly Invisible
With a diameter of only 2.5 mm — the size of a No. 2 pencil lead — the mic capsule virtually disappears when worn.
Rugged Cable
Aramid strength members and engineered alloys ensure that the cable provides extreme tensile and flex strength.
True Colors
Colors are precision-matched to theatre makeup shades to blend with a wide range of skin tones and clothing.
Water Resistant
Mics are water-sealed so you can use them in the hair or against the skin under hot theater lights without “sweat-outs”. -
Electro Voice PC-18/XLR
PolarChoice series podium microphone.
PolarChoice, the first podium microphone to allow polar pattern selection (omni, cardioid, supercardioid & hypercardioid), is available in three different versions: XLR, Flange Mount, and the versatile PolarChoice Plus.
- Selectable polar patterns
- Choose between omni, cardioid, supercardioid or figure 8
- Smooth and uniform frequency response, no matter what pattern is selected
- An extended low frequency response and switchable high-pass filter
- Sturdy steel base
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Electro Voice RE20
Broadcast announcer’s microphone with Variable‑D.
The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite for broadcasting, podcasting, and sound engineering worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.- The classic sound of FM radio voices
- Smooth, natural and controlled sonic character
- Variable-D for minimal proximity effect
- True cardioid with no coloration at 180-degrees off-axis
- Voice tailored frequency response
- Studio condenser-like performance
- Large diaphragm dynamic element
- Humbucking coil guards against line hum
- Mid-bass tone-shaping switch
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Catchbox
Catchbox Plus Throwable Microphone System without Wireless Charger.
The Catchbox Pro is a module that allows you to convert your existing beltpack transmitters (or lavalier microphones) into a throwable microphone. It’s a fantastic addition to any event which requires audience interaction, particularly Q&A sessions where otherwise a microphone runner would be needed.The soft, ultra-lightweight design makes it safe to use in any environment so any person catching can do so with confidence. Just simply throw it into the audience!
There’s no need to worry about any damage to the electronics either. Whether the Catchbox is caught, thrown or dropped, the device will remain fully functional at all times. It includes auto-mute technology which senses the motion of the device and temporarily mutes the audio when thrown around. -
Sennheiser MD421-II
Dynamic microphone.
The MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities.
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Sennheiser e602-II
Dynamic Large-Diaphragm Instrument Microphone.
Cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs and tubas. Solid, lightweight, and easy to position. For studios, clubs, rehearsal rooms, smaller gigs, or for home recording. -
Sennheiser e609
Super-cardioid silver instrument microphone designed for miking guitar cabs face-on and extremely close to the source. Provides isolation from other onstage signals. Also suitable for miking drums, especially toms.
The rugged workhorse with a practical shape. The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source. -
Sennheiser e906
Professional super-cardioid, dynamic instrument mic with switchable presence filter. Versatile to handle drums, percussion, and guitar amplifiers.
The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns. -
Sennheiser e904
Dynamic cardioid microphone for drums and percussion. Compact with clip to attach to the rims of toms or snares. Adapts to all percussive styles.
The cardioid e 904 is a dynamic instrument microphone specifically designed for drum applications. Featuring a very short body with integrated stand mount and a universal rim clip, the e 904 provides great sound without getting in the way in even the most crowded setups. -
Sennheiser MKH-416-P48
RF Condenser Microphone.
The MKH 416 is a short gun interference tube microphone. Excellent directivity and a compact design, high consonant articulation and feedback rejection are ideal qualities for universal use in film, radio and television, especially for outdoor broadcast applications.
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AKG C411 PP
The C411 is a miniature vibration pickup for acoustic guitar, mandolin, violin and most other string instruments. Its integrated condenser capsule will reproduce the sound of the instrument clearly and without coloration. The C411 ultralight pickup (18g/0.6oz) can be easily attached on or near the bridge with the included nonmarking, solvent-free adhesive pad without changing the balance of the instrument. The C411 is available in two versions. The C411 PP features a MPAV standard XLR connector while the C411 L provides a professional three-pin mini XLR connector that fits the body-pack transmitters of all AKG wireless microphone systems.
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AKG C414 XL II
The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII’s slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
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AKG C414 XLS
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.
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Audix SCX25A
Premium large Diaphrage Studio Condenser microphone.
The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shock-mounted within an intricate machined brass ring, the capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.
The SCX25A is consistent when responding to on and off-axis signals. This mic exhibits outstanding phase coherence and minimal proximity effect. With a wide cardioid polar pattern, the SCX25A enables the sound engineer to blend the sound of the instrument or vocal with the sound of the room. The SCX25A large diaphragm microphone will handle SPLs in excess of 135 dB and provides up to 20 dB of ambient noise rejection.
Affectionately referred to as “The Lollipop,” The SCX25A cardioid studio condenser microphone is perfectly suited to capture the sound of acoustic instruments such as pianos, guitars, vibes, woodwinds, brass, percussion toys, drums, orchestra, and symphony sections. -
Audix CX-112B
Studio condenset microphone.
The matched pair of CX112B Studio Condenser Microphone from Audix is designed to handle vocal and general instrument recordings in both professional and project studio applications. It features a wide frequency response, providing accurate detail and rich audio signal. There is a cardioid polar pattern for minimizing off-axis residual noise while suppressing feedback. A 10 dB pad switch provides additional headroom while capturing highly transient audio signal, and the low-frequency roll off switch further suppresses low frequency hum, rumble, and proximity effect. The package includes two matched CX112B microphones and their accessories.
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Audix OM7
Professional dynamic vocal microphone.
The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high-profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands.
In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 hypercardioid microphone is best suited for use with high-quality mixing consoles that have plenty of headroom to compensate for the low gain. -
Audix D2
Professional dynamic instrument microphone.
The D2 dynamic instrument microphone is used for stage, studio, and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.
The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets, and brass. Transformerless design, low impedance, and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free. -
Audix D4
Professional dynamic instrument microphone.
With a wide frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low-frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets, and small kick drums.
The D4 is lightweight, compact, and easy to position. Used for stage, studio, and broadcast applications, the D4 dynamic instrument microphone is designed with a hypercardioid pickup pattern for isolation and feedback control. The D4 hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction. -
Audix D6
Professional dynamic instrument microphone.
The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.
Lightweight, compact, and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets. The D6’s transformerless design, low impedance, and balanced output allow for interference-free performance. -
Audix ADX-51
Professional Electret Condenser Microphone with Pad and Roll-Off.
The ADX51 is a professional pre-polarized condenser microphone used for stage, studio, and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.Characterized with a uniformly controlled cardioid polar pattern, the ADX51 condenser microphone is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a wide frequency range of 40 Hz – 18 kHz, the ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter at 150 Hz.
The ADX51 cardioid studio condenser microphone is very easy to position, durable, and manufactured to high standards and tight tolerances. The ADX51 has a precision machined brass body, durable black E-coat finish, steel mesh grill, and gold plated XLR connector. -
Audix i5
All-purpose professional dynamic instrument microphone.
Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio, and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.
The i5 cardioid microphone can be used to microphone a wide variety of musical instruments, guitars, and bass cabinets as well as vocals and speech. The i5 instrument microphone is sturdy, compact, and easy to position. With a wide frequency response of 50 Hz – 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ.
Designed, assembled, and tested by Audix in the USA. -
Audix OM5
The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.
Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.
The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide an extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.
Designed, assembled, and tested by Audix in the USA. -
Soundcraft Vi4
In just under 1.5m/5 feet, the Soundcraft Vi4 offers access to 96 inputs on 24 faders, with a total of 35 output busses available for use as masters, groups, auxes or matrices. All other features of the Soundcraft Vi6, such as the highly acclaimed Vistonics™ II touch-screen user interface, Soundcraft FaderGlow™ fader function display and the unequalled audio quality are inherited by the Soundcraft Vi4.
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KlarkTeknik DN200
2-Channel Active DI Box with Extended Dynamic Range and Sum/Split Options.
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Klark Teknik DN9620
Dual Port AES50 Extender and Multiplexer with up to 500 Metre Range (Pair).
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Behringer X32 RACK
Thanks to its legendary onboard X32 mix engine, the X32 RACK can be your top-notch studio recording interface today, control a complex theater production tomorrow, or sit securely in your side-rack while you mix your band’s club gig from your iPad. A revolution in its own right, the incredible X32 RACK combines the finest analog I/O and powerful digital connectivity with ample processing for 40 channels, 25 buses and up to 152 signal sources.
You can easily control every parameter of the mix directly on the X32 RACK using the 800 x 480 graphic UI, but the awesome flexibility of networked remote control literally opens up an amazing world of possibilities. Use our X32-EDIT PC/Mac/Linux application, X32-MIX for iPad, X32-Q for iPhone/iPod touch and X32-Q for Android to control the mix from anywhere in the room. You can even run multiple instances of these powerful apps at the same time, giving your performers the ability to mix their own personal monitors on-the-fly!
With its 16 Midas-design mic preamps and dual AES50 ports, the X32 RACK can support up to six S16 digital stage boxes for massive I/O connectivity. Ultra-flexible routing options and 8 powerful stereo FX engines make the X32 RACK the ideal choice for handling audio now – and as your needs grow.
40-Input, 25-Bus Digital Rack Mixer with 16 Programmable Midas Preamps, USB Audio Interface and iPad/iPhone Remote Control. -
Behringer XR16
The X Air XR16 from Behringer is a 16-input portable rack-mountable mixer for iPad and Android tablets. It can be used for both live and studio environments in applications such as live stage, theater, houses of worship, rehearsals, and more. It features eight Midas-designed mic preamps and an integrated Wi-Fi module for wireless control, giving you the ability to move around and manipulate all parameters of your mix. Furthermore, it has USB connectivity for file storage and future system updates. The built-in USB stereo recorder can record your live tracks uncompressed directly to your iPad or PC. You can then dial in a monitoring mix with effects and zero latency, while sending your stereo mix and the keyboard player’s MIDI notes to your DAW for recording.
The X Air XR16 has additional features included as well, such as the MIDI in/out jack for controlling the mixer via MIDI equipment using Mackie control protocol via a live performance controller. This mixer also comes with several Behringer effects, such as a Leisure compressor and leveling amplifier, mid/sides Fair compressor, a 5-band Combinator compressor, modulation delay, Sub Octaver, and an Edison EX1 that allows you simple manipulation of the stereo field. Finally, the XR16 includes a Sound Maxer and a dimensional chorus effect, which can help you to restore natural brilliance and clarity to the original audio signal. Whether you’re recording in the studio, or you want to capture intimate live performances, it’s never been easier to record professional-sounding tracks with clarity.
16-Input Digital Mixer for iPad/Android Tablets with 8 Programmable Midas Preamps, 8 Line Inputs, Integrated WiFi Module and USB Stereo Recorder. -
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Midas DL231
With today’s tech-savvy concertgoers demanding more and more from the professional sound engineer, the need to increase flexibility and functionality has never been greater. That’s why the Midas Research and Development team have expanded upon the existing Microphone Splitter format to bring you the DL231.
24 Input, 24 Output Active Microphone Splitter with 2 Independent Midas Microphone Preamplifiers per Input -
Midas M32C
Above all, M32C is designed to put the power of digital in your hands, without compromise. Midas’ singular focus on a matchless value
proposition means M32C integrates advanced features such as integrated personal monitor mixing and true high-speed digital audio networking as
standard features.
Digital Rack Mixer for Installed and Live Sound Applications with 40 Input-Channels and 25 Mix Buses -
Midas DL32
Digital mixing has revolutionized virtually everything in the liveentertainment production workflow.
The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console,
and the rest of the world – the I/O packed and highly affordable DL32 digital stage box.
32 Input, 16 Output Stage Box with 32 MIDAS Microphone Preamplifiers, ULTRANET and ADAT Interfaces. -
Midas M32R LIVE
M32R LIVE was to combine the best of classic British console designs with advanced modern technology to completely redefine what a rack mountable digital desktop
mixing console can offer.
We began the industrial design process by drawing inspiration from a somewhat unexpected source – the luxury and high-performance car industry.
Digital Console for Live and Studio with 40 Input Channels, 16 Midas PRO Microphone Preamplifiers and 25 Mix Buses and Live Multitrack Recording -
Midas M32R
M32R was to combine the best of classic British console designs with advanced modern technology to completely redefine what a rack mountable digital desktop mixing console can offer.
Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses. -
Midas Heritage-D HD96-24 TP
- Midas Heritage-D HD-96-TP Live performance digital control centre with up to 144 simultaneous input channels and 96 kHz sample rate
- 120 time-aligned and phase-coherent mix buses
- 21″ full colour TFT display screen with capacitive touch sensing
- Advanced and multi-gesture touchscreen user interface
- Award-winning Midas microphone preamplifiers
- HyperMAC and AES50 networking allows up to 576 inputs and 576 outputs @ 96 kHz sample rate
- Dual network bridge format converter with up to 128 bidirectional channels and asynchronous sample rate conversion
- 24 VCA (variable control association) groups, and unlimited POPulation groups
- Up to 24 multi-channel digital signal processing effects engines
- Integrated Wireless transceiver module
- Dual ULTRANET Ports providing 32 additional digital outputs
- 28 Midas PRO motorised 100 mm faders
- Fully interpolated touch sensitive controls
- Dual redundant auto-ranging universal switch-mode power supplies
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Pioneer DJM-400
2-channel effects mixer.
Although the DJM-400 is the smallest mixer in our Pioneer range, it is perfectly portable and huge in performance, boasting outstanding audio quality.
The mixer’s intelligent 96 kHz/24-bit sampler automatically detects the tempo of a track during playback, sampling it for four beats, then loops the sample.
As the sampled audio is in sync with the beat of the track being played (no matter the tempo) you are given more time to be creative. Samples are automatically beat matched and up to five samples can be stored in memory.
This compact 2-channel mixer moreover features an in-loop sampler and digital beat effects. Drawing on our digital heritage of larger mixers, the DJM-400 is designed as an ideal partner for the CDJ-200 in terms of style and function. When combined, these units create a portable yet powerful and robust DJ setup.
The DJM-400 is tailored to the demands of DJs mixing in bars and smaller clubs and those mobile artists who demand a reliable, robust and high-quality mixer. -
Pioneer CDJ-400
Digital CD deck with MP3 and USB audio.
Designed for DJs by DJs and drawing inspiration from our industry standard CDJ-1000 series, the CDJ-400 is a flexible, affordable performance player for the aspiring club DJ to use at home.
The CDJ-400 allows you to play your MP3 collection off CD-R/RW discs as well as music from mass storage USB devices, such as USB keys, external hard drives and portable media devices.
The deck also features the world’s first Scratch Jog Effects, with three creative scratch effects and an amazing new Loop Divide function. Virtually all of the button and slider functions can send MIDI data via USB output, making it possible for the decks to control external DJ software such as our DJS, an MP3 mixing software that emulates a full Pioneer DJ setup on your PC. It includes 8 innovative effects, a waveform display with cue / looping ability and can convert CD / line input signals to MP3 within an easy to manage music library.
It is also compatible with third party applications like Traktor and Serato Scratch Live. The CDJ-400 deck is a perfect partner for the DJM-400 mixer and together they provide the ultimate home party set-up. -
Pioneer CDJ-100S
CD deck.
The CDJ-100S houses a built-in Digital Jog Break feature that offers three different remix assist buttons. The Jog Wheel allows you to speed up and slow down tracks and fine-tune cue points.
Our CDJ-100S also features a Playing Address bar graph which shows elapsed and remaining playing time of a track. When the track is about to end, it flashes as a warning.
This entry level deck is ideal for bedroom DJs keen to experience the possibilities of CD play-out technology. -
Pioneer CDJ-800MK2
Digital CD deck with scaratch jog wheel.
Designed with world-class DJs to advance performance and handling, the innovative second generation of CDJ-800s are stylishly tailored to extract the utmost creativity from the digital revolution.
The MK2s feature convenient MP3 compatibility, a folder search facility and an improved jog wheel. They allow you to create, cut and manipulate loops live using the new auto beat loop command and provide extra memory for storing cue/loop points.
Supported by solid steel buttons and a metallic finish as well as brighter, clearer displays of data, the CDJ-800MK2 offers power, freedom and control. -
Pioneer CDJ-1000
Digital turntable.
Pioneer’s CDJ-1000 revolutionises the way to play with CD’s, just like vinyl you can stop the digital sound with your fingers and cue up in exactly the same way. Even bending the sound or scratching with no sound latency is possible. Never before has digital so successfully reproduced the sounds,feel and creativity of analogue. Thorough research and close communication with professional DJ’s has provided Pioneer with the impetus and challenge to develop the first ever digital deck to feature such integrally analogue features in a purely digital environment.
The CDJ-1000 is changing the face of Djing – stimulating and inspiring the DJ to be more creative behind the decks, providing you with more funky features to play, use and experiment with. No longer do you need to spend years learning the ‘Cut and Paste’DJ techniques nor gain experience -
Pioneer DVJ-X1
Pro DVD video deck.
Combining Pioneer’s world-famous CD Jog Dial technology with the flexibility and capacity of DVD, the DVJ-X1 looks just like the company’s own CDJ-1000MKII CD Player. But what is even more radical is that the DVJ-X1 has the same functionality – with the added capacity to playback DVDs as well as CDs. This means that digital DJs used the preforming live with a CDJ-1000MKII will have no trouble using the DVJ-X1 as a CD-playback tool.
But crucially, DVJs will also be able to use the DVJ-X1 to manipulate DVD visuals in exactly the same way as they would music. So real-time digital video scratches, loops and instant cues are all possible with the awesome DVJ-X1, while the video and audio streams always stay in perfect sync, even when they’re being reserved and pitched. This new Pioneer unit works with all established CD formats as well as DVDs, crossing the boundaries between the once-separate audio and video domains.
Winner of the iF product design award 2005. -
Pioneer DVJ-1000
Professional grade DVD video/CD deck.
Scratch , loop and cue both audio and video with the DVJ-1000.
Offering the same operation and layout as the CDJ-1000MK3, but with enhanced DVD specifications, the DVJ-1000 offers a convenient way to add visuals to your set. Manipulate DVDs as you would music – digital video scratches, loops and instant cues are all possible.
You can perform audio-only sets while having the option to mix in DVD, with the power to setup instant hot cues or reverse play for synchronized audio and video. The best of both worlds.
Additional features include MP3 compatibility, a brighter and larger wave display, compatibility with studio quality 96kHz/24-bit audio and innovations like 4 x hyper jog mode and a back and forth loop button.
It’s a globetrotter, too – playing both NTSC and PAL DVDs using a built-in standards converter; ideal if you’re working with DVDs from both Europe and the States.
