Shure UA845UWB/LC
Antenna Distribution System.
Antenna distribution system expands a wireless microphone system by splitting 1 pair of antennas and amplifies RF signals.
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Antenna Distribution System.
Antenna distribution system expands a wireless microphone system by splitting 1 pair of antennas and amplifies RF signals.
Wireless Boundary Microphone Transmitter.
The ULXD6 Wireless Boundary Microphone Transmitter combined with ULX-D or QLX-D receivers deliver uncompromising digital audio clarity and solid RF performance in a form factor that fits perfectly in business settings.
Supercardioid TQG Lavalier Microphone.
The WL184 premium supercardioid TQG lavalier microphone brings a new level of sophistication to personal voice reproduction. Like all Microflex family microphones, this lavalier uses an interchangeable condenser cartridge, meaning there will always be a lavalier to suit your application.
SmallRig Forevala W60 2.4G Wireless Microphone for Video Camera/Smartphone.
Dual-channel, low-latency wireless audio transmission, signal range of up to 100m (no obstacles).
Long battery life of up to 8 hours on a single charge.
Professional and high-performance omnidirectional condenser microphone for high-definition and high-quality recording.
Switch between mono and stereo; stereo recording and sound reproduction enhance post-editability.
Low cut function: eliminates low-frequency noise below 200Hz to make purer audio output.
Gain adjustment: input and output volume of TX-A and TX-B are partitioned and independently adjustable.
Three-screen display: power/signal/volume/low cut function all displayed on screens.
Plug and play, smart pairing.
Spirit SX is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It includes 20 inputs as standard and 18 outputs (including Auxs and Direct Outs). In addition to mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. There are also four stereo inputs for keyboards or other stereo instruments. SX’s 8 Direct Outs are fader pre/post switchable so they are equally useful for recording in the studio or at a gig.
12 mic/line inputs are equipped with Soundcraft’s UltraMic™ preamp giving a full 60dB or gain range and +22dBu of headroom, meaning that the SX input stage can handle any mic or line device. In the EQ section, the classic British 3-band EQ with swept mid benefits for custom designed pots which give greater control across carefully chosen frequencies. There are 2 auxiliary sends, 2 of which can be assigned pre- or post-fader making them equally useful for monitor-heavy live mixes or effects-heavy recording. In addition, there is a separate Mono Output and 2 subgroup outputs.
100mm faders are used through giving more accurate control at mixdown and all pots have been custom designed to give even and consistent response around the entire sweep. The SX fits all of these features into a rugged, compact frame with integral carry handle which can be optionally rack-mounted in to a 10U space.
In just under 1.5m/5 feet, the Soundcraft Vi4 offers access to 96 inputs on 24 faders, with a total of 35 output busses available for use as masters, groups, auxes or matrices. All other features of the Soundcraft Vi6, such as the highly acclaimed Vistonics™ II touch-screen user interface, Soundcraft FaderGlow™ fader function display and the unequalled audio quality are inherited by the Soundcraft Vi4.
24-channel Digital Mixer/USB Multi-Track Recorder With Wireless Control.
The Soundcraft Ui24R is a complete, rack-mountable, digital mixing and multi-track recording system that delivers flexible I/O, pristine sound quality, intuitive wireless control, and roadworthy reliability—all in a streamlined design. The system can double as a stagebox and can be controlled by up to 10 devices via Ethernet or built-in dual-band Wi-Fi, making it possible to control mixing and multi-track recording wirelessly from anywhere in the venue. With renowned HARMAN signal processing, Studer-designed preamps and much more—from the studio to the stage, Soundcraft Ui24R is the ultimate system for artists, venues and engineers who need to save space and deliver superior sound.
The R-32AU’s reliable performance and resistance to wear and tear provide the best possible reception within the required coverage. The gain setting is used for enhanced amplification of signal reception. The R-32AU can be mounted on a mic stand, suspended from the ceiling, or attached to the wall using an integrated rotatable stand.
Active Directional Antenna.
The Squeez SQ-2 from Tapco is a dual channel compressor with gating and a single band, adjustable “Air” EQ. The EQ can be used for obtaining the classic vocal sound of the 60s and 70s, or for replacing high frequency content due to heavy compression. Inserts on both channels allow for frequency sensitive compression.
The compressor section offers both auto “soft-knee” and “hard-knee” curves, while the gate employs “soft” operation and an expander function at the threshold to eliminate clicks from drums and other percussive sounds.
The unit provides dedicated threshold and ratio controls along with attack and release controls for the compressor, an output control that allows for volume make-up and eight LEDs on each channel display gain reduction. An automatic attack/release button is provided for those that prefer ease of use, or are unfamiliar with the subtleties of compression.
Dual channel compressor with gate.
Auto Soft-Knee/Hard-Knee curves depending on compression setting.
Adjustable “Air” filter adds natural high-end for “classic” studio compression sounds.
Soft Gate circuitry provides expansion at the threshold to eliminate clipped gated sounds.
Individual threshold, ratio, attack and release controls per channel.
Auto attack/release function with indicator.
Output gain compensation controls.
Individual Channel In/Out button and indicator.
Precision eight-segment gain reduction meters.
Side chain connections for frequency-sensitive compression such as de-essing.
The HS-20 is a professional two-channel recorder/player that is capable of uploading and downloading files to/from servers via an FTP client function.
Event lists for recording, playback, and downloading aligned with time-based management are perfect for scheduled playback scenarios such as BGM and in-store announcements.
Through the combination of event lists with the FTP client function, users can easily create a system in which files uploaded onto the server at headquarters can be automatically distributed and played at different store branches.
After completing a recording, the HS-20 can automatically upload the recorded data to a designated server.
Various applications can be performed by combining this automatic upload function with recording/downloading events; for instance, users can automatically upload files from a scheduled recording onto the server, with the files being automatically retrieved from the server for playback or archiving.
The SNTP client feature automatically adjusts its internal clock via the internet, meaning that recording, playback, downloading, and other events can be executed at accurate, synchronized times.
The recording/playback format supports BWF/WAV (playback only) and 192kHz/24bit high-resolution recording/playback. SD/SDHC cards and CF cards are used for memory media.
The recording playback unit possesses a high level of durability that does not require maintenance due to its lack of moving mechanisms.
The HS-20 is a professional recorder/player with an integrated professional stereo recorder/player that is high in both sound quality and durability.
Equipped with network functions, the HS-20 can perform recording, playback, downloading and various other events automatically.
New from TASCAM, the MD-CD1 combines CD playback and MiniDisc recording in a single rackmount unit designed to save rack space and installation budgets. Like all of TASCAM’s products designed for fixed installation, the MD-CD1 is a reliable player designed for years of trouble-free use. The unit is stocked with features, such as 12% pitch control, MP3 CD playback, RS-232 control and an optional balanced I/O board that allow it to be spec’d into a wide variety of applications.
The TASCAM MD-CD1 has a host of professional features like RS-232 control, digital I/O and an optional I/O board for balanced interfacing. CDs can be played back at up to 12% higher or lower, and can even be played back faster without changing the pitch for a “chipmunk” effect. Discs can be duplicated from CD to MiniDisc at up to 4x speed, and a wireless IR remote is included.
he MH-8 is the ideal headphones amplifier for studio, stage and installation. Each of the eight stereo outputs delivers 250 mW per side with three switchable sources available. Two stereo inputs can be shared to any of the outputs, and individual stereo direct inputs are available for each of the eight channels. A headphones channel can use any one of these inputs, or mix several together. And a set of foldback outputs allows the user to chain other MH-8s into a system.
The MH-8 is housed in a rugged, rack-mountable metal chassis with built-in power supply (no AC adapter), ground terminal and ground-lift switch for many years of safe and reliable operation.
Stereo Audio Meter with 7″ High Resolution Display and USB Connection for Plug-In Metering.
Ultimate Multi-Tap Rhythm Delay Unit with Flexible Control.
TC quality delays and effects.
Multitap rhythm delay.
Absolute repeat control.
Dual-Engine Signal Processor with High-Quality Reverb and Multi-Effects for Live or Studio Applications.
These industry standard turntables are simply the best and what pro DJs insist on. We have one pair that are also available with a variety of DJ mixing desks.
Technics SL series turntables have become legendary with over 3 million sets being produced and used by DJs and clubs the world over. All SL models feature the undisputedly accurate, reliable and durable Quartz Direct Drive Motor, with Aluminium Diecast cabinets and heavy rubber base for vibration damping.
The SL1210MK5 has the same dependable construction as the famous and record selling SL1210MK2 with the addition of 0.6g Anti Skate (0.3g on the SL1210MK2), Adjustable Brake Speed accessed from just beneath the platter, continuous pitch shift with a reset control for 100% precision and finished off with a Long Life White LED Stylus Light. Technics black finish.
Motherdrum, also Indian Pow-wow drum or Earthdrum. This drum is the mother of all bass drums. Can be played by 5-8 people with different mallets at the same time Used in therapy Diameter: 100 cm Detachable stand made of natural wood Cowhide drum head (significant deviations in appearance possible) Bag and one pair of mallets…
Toca’s Barrel Conga Stands are crafted from sturdy-yet-lightweight steel, and are finished with a black powder coating for a professional look. Thick, soft padding is attached at the point of contact with the drum, preventing physical damage and eliminating rattles. This stand will hold any conga from 25 to 28 cm.
Toca 3700-LN Adj. Conga Stand, New and improved leg design helps prevent conga from “walking”, Height adjustable, easy to assemble, Black powder-Coated finish, fits 11 3/4″ and 12 1/2″ diametres
Trace Elliot Speed Twin (EL84 based) C30 30-Watt combo, dual channel, loaded with a Celestion GT12-75 75-watt speaker.
LW 130 is one of the most reliable lighting stand in the market. Like the previous models, it includes an automatic-brake winch.
Made of steel, with silver metal colour, it easily holds loads of 100 kg and lifts them at 3 meters high. It features foldable legs and an extensible mast. Its firmed and balanced base ensures a safe operation.
Characteristics are known, 32 channels including 12 XLR base.
8 to 4 effects per channel compressor gate 4 parametric channel.
Building on the proven configuration of its predecessors, the new 01V96i now offers USB 2.0 connectivity along with new multi-track recording features and improved sonic quality.
MG mixers are lighter and smaller than ever while offering some innovative new features. The MG82CX is an ideal mixer for basic music production or live sound applications that require high sound quality from a relatively small number of input sources. The MG82CX is remarkably compact and lightweight, but no compromises have been made in sound quality. They even have built-in channel compressors that, although easy to operate, can significantly enhance the quality of your mixes. An optional adaptor allows these mixers to be mounted on a microphone stand for easy access and convenient positioning on stage. The MG82CX features top-quality SPX digital effects built in, so you won’t need any extra equipment for many applications.
The P-115, Yamaha’s follow-up to the industry’s best-selling digital piano, now has its own app for iOS. An elegant touch screen controller that makes getting to the features of the P-115 simple.