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  • AKG C411 PP

    The C411 is a miniature vibration pickup for acoustic guitar, mandolin, violin and most other string instruments. Its integrated condenser capsule will reproduce the sound of the instrument clearly and without coloration. The C411 ultralight pickup (18g/0.6oz) can be easily attached on or near the bridge with the included nonmarking, solvent-free adhesive pad without changing the balance of the instrument. The C411 is available in two versions. The C411 PP features a MPAV standard XLR connector while the C411 L provides a professional three-pin mini XLR connector that fits the body-pack transmitters of all AKG wireless microphone systems.

  • AKG C414 XL II

    The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII’s slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.

  • AKG C414 XLS

    The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

  • Audix ADX-51

    Professional Electret Condenser Microphone with Pad and Roll-Off.

    The ADX51 is a professional pre-polarized condenser microphone used for stage, studio, and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.Characterized with a uniformly controlled cardioid polar pattern, the ADX51 condenser microphone is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a wide frequency range of 40 Hz – 18 kHz, the ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter at 150 Hz.
    The ADX51 cardioid studio condenser microphone is very easy to position, durable, and manufactured to high standards and tight tolerances. The ADX51 has a precision machined brass body, durable black E-coat finish, steel mesh grill, and gold plated XLR connector.

  • Audix CX-112B

    Studio condenset microphone.

    The matched pair of CX112B Studio Condenser Microphone from Audix is designed to handle vocal and general instrument recordings in both professional and project studio applications. It features a wide frequency response, providing accurate detail and rich audio signal. There is a cardioid polar pattern for minimizing off-axis residual noise while suppressing feedback. A 10 dB pad switch provides additional headroom while capturing highly transient audio signal, and the low-frequency roll off switch further suppresses low frequency hum, rumble, and proximity effect. The package includes two matched CX112B microphones and their accessories.

     

  • Audix D2

    Professional dynamic instrument microphone.

    The D2 dynamic instrument microphone is used for stage, studio, and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.
    The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets, and brass. Transformerless design, low impedance, and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.

  • Audix D4

    Professional dynamic instrument microphone.

    With a wide frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low-frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets, and small kick drums.
    The D4 is lightweight, compact, and easy to position. Used for stage, studio, and broadcast applications, the D4 dynamic instrument microphone is designed with a hypercardioid pickup pattern for isolation and feedback control. The D4 hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.

  • Audix D6

    Professional dynamic instrument microphone.

    The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.
    Lightweight, compact, and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets. The D6’s transformerless design, low impedance, and balanced output allow for interference-free performance.

  • Audix i5

    All-purpose professional dynamic instrument microphone.

    Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio, and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.
    The i5 cardioid microphone can be used to microphone a wide variety of musical instruments, guitars, and bass cabinets as well as vocals and speech. The i5 instrument microphone is sturdy, compact, and easy to position. With a wide frequency response of 50 Hz – 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ.
    Designed, assembled, and tested by Audix in the USA.

  • Audix SCX25A

    Premium large Diaphrage Studio Condenser microphone.

    The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shock-mounted within an intricate machined brass ring, the capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.
    The SCX25A is consistent when responding to on and off-axis signals. This mic exhibits outstanding phase coherence and minimal proximity effect. With a wide cardioid polar pattern, the SCX25A enables the sound engineer to blend the sound of the instrument or vocal with the sound of the room. The SCX25A large diaphragm microphone will handle SPLs in excess of 135 dB and provides up to 20 dB of ambient noise rejection.

    Affectionately referred to as “The Lollipop,” The SCX25A cardioid studio condenser microphone is perfectly suited to capture the sound of acoustic instruments such as pianos, guitars, vibes, woodwinds, brass, percussion toys, drums, orchestra, and symphony sections.

  • Sennheiser e602-II

    Dynamic Large-Diaphragm Instrument Microphone.
    Cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs and tubas. Solid, lightweight, and easy to position. For studios, clubs, rehearsal rooms, smaller gigs, or for home recording.

     

  • Sennheiser e609

    Super-cardioid silver instrument microphone designed for miking guitar cabs face-on and extremely close to the source. Provides isolation from other onstage signals. Also suitable for miking drums, especially toms.
    The rugged workhorse with a practical shape. The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.